Shandong Provincial Capital Culture and Art Center Grand Theatre
New Opera in Jinan / Paul Andreu Architecte
+ 46
- Yr : 2013
Text description provided by the architects. The project is located at the axis cantankerous of the new metro line and the Lashan River. The eastward–west axis extends from the new loftier speed train station to the town center the northward-south axis along the Lashan River. Both axes are leisure zones, composed out of public infinite and public gardens. The graphic symbol between the ii perpendicular parks is differentiated. Central Park should be a very agile identify, connected mainly to the daily activities of offices and retail. Its length is such that information technology should be constituted of successive sequences, different in design and adapted to the different activities on their 2 sides or under their surface. The "Water Park" would on the contrary have a greater unity, essentially created by the blueprint of a water-garden treated as a built and controlled damp area.
The diverseness of paths and of plants and trees deactivate the apply past a large public with a natural system of the infinite. The identify where the two parks intersect volition exist of course the most symbolic one in the new town, concentrating its ambitions as a living infinite for "better life". Site description The site is bordered past 3 major roads and ane secondary route; in the North (E JiXi route) and South (ZhanQian road). The building complex of the Provincial Cultural& Fine art Eye Plaza is situated in the middle of the Central Park at the gravity middle of the new metro line. The geometry of the whole complex takes reference to the eye public infinite the Central Plaza. In the north of the project 3 towers border the edifice complex with their mutual base of operations. The towers will have hotel, short-term apartments and office functions; the base provides common services of these functions. The complexes' south is occupied past the Grand Theatre. Each of the 3 audience halls, the Opera Hall, the Concert Hall and the Multifunctional Hall form a big "shell type" building, so that a composition with the towers is formed. In the center, between the Towers and the 1000 Theatre a two stories commercial centre volition be constructed in a higher place the metro line.
The metro station is on the e border of the side. In the west of the Primal Plaza a large terrace can be found where public animation, restaurants and confined profit from the river border. Building surrounded past landscape. The chief concept of the site is that the edifice complex is surrounded by the landscape of the park. The surrounding landscape is divided into ii levels, street level and Primal Plaza level 5, iv meters higher. The park deals with three different pedestrian levels. The 3 levels are connected regularly and so that the pedestrian has a option to go up or down during a walk in the park. A hill mural provides sloped access, opens views to the building or partially hides the building. Bridges and walkway ensure the continuity of the walk. Peculiarly the higher points of the landscape open extraordinary views to the edifice, to the lower parts of the landscape, to the river and to the areas with public activities.
Continuous high landscape hides the delivery zone of the 1000 Theatre. The commitment and artists' access is covered by a footbridge. The landscape participates at the access and security concept. All other parts integrate motion of college amplitude in order to lower where needed for street access, views automobile access and other. The Cardinal park concentrates the qualities of the water park along the Lashan River and the green axis along the new metro line on one site. The visitors tin relish their walk through dumbo tree areas, closed to the river or higher upward on the bridges and upper pathways. During the walk the visitor can feel different perspectives and situations. The composition The design divides the projection in a north role and a due south part. A large opening is so created on each entrance side of the Central Plaza.
The counter-bend of the two roof parts invites the visitors to enter and attract them to the center. Right in the center a large covered passage can exist constitute so that visitors can easily cross from the G Theatre to the commercial and tower side. The 2 roof parts coming shut to each other in the center articulate the gravity centre of the project between the towers and the M Theatre. Information technology is therefore direct expression of the Cultural and Art Centre beingness the center of New West Jinan, which radiates to the province of Shandong and over its borders. Cultural approach and philosophy The projection is simple and circuitous at the aforementioned time. It is abstract and literal; information technology in-cooperates architectural, urbanistic, artistic and symbolic approaches. The project becomes so an 'Entire artwork' which can take part in a modern society where different interpretation are possible co-ordinate to unlike imaginations.
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The Provincial Cultural & Art Centre Plaza can fulfil its outstanding position in the region. Green Mountains "Green Mountains and Blue Sea" cleverly sums up the geographical landscape and cultural history on the mountains and the bounding main in Shandong. It highlights the beauty of the alloy of mountains and the sea, the hometown of Confucius and the culture of Shandong. The name of Green Mount was deriving from Mountain Tai. Poetically information technology is described as towering, light-green intoxicating scene of Emerald Crest. Regal Mount Tai is a symbol of Qilu culture. Information technology represents the characteristics of Qilu people as existence cocky-improvement, social commitment, excellent and hard-working wisdom. Blue Body of water Blue Ocean symbolizes the full utilize of the coastal location of Shandong with the meaningful aim of developing the marine economic system, scientifically configuring the marine resources and creating the blue economic system zone of the Shandong Peninsula.
Building Concept
The 3 roof shells of the Thousand Theatre span a force line to the 3 towers. The common architectural language of all building parts requite the identity to the site and the whole New West Jinan expanse. The building has a highly memorisable icon effect. Public life will be concentrated in the centre of the complex so that cultural exchange can happen. Façade concept The façade language highlights the belonging to one singular building complex. The dissimilar functions accept different façade requests. The base of operations is build out of a massive stone plinth ribbon following the shapes of the objects posed on to information technology. The three shells of the Grand Theatre and the side buildings posed on the podium are covered mainly with an opaque metal cladding system and glazed strips in the centre line. The towers are mainly out of glass and pass over the podium building down to street level.
The Primal Plaza façade are in continuity of the landscape design. The stoned base building follows the inspiration of lines of staff the openings are composed such as notes of a score within the staff which creates a piece of music. Both, the Tower and 1000 Theatre, facades accept a figurative blueprint on theirs façades: the towers with a vegetal motif identifying the towers as green mountains; the Theatre shells a more abstruse organic motif. The design is a transition element, which volition visually be composed out of the vegetal mass of the surrounding park, the metal shell and its blueprint. Glazing of the bases and the shells will be a minimalist design. It will mainly be visible during the night time. The One thousand Theatre - Entrance Hall The public enters the Thousand Theatre from the Fundamental Plaza higher than the street level. The entrance hall is the showtime step through a infinite sequence from intense public alive to the audience halls.
Every spectator is invited to experience the common lobby as filter, an in between infinite earlier inbound the 3 different lobbies from which they can enter into each of the audition halls. The vestibule is extended all along the building facades to the limit of the 2 lateral building volumes. Centralized functions such as ticket office, tourist information on the side can be found. Each of the 3 lobbies has a different and singular character, and the auditoriums are carefully posed such every bit valuable stones into their wooden box. The spectator finds himself in a big enclosed infinite limited by the roof shells. The roof shells are creating the identity together with the audition hall volumes. The lobbies requite access to the audition halls.
The public enters on the back and on the sides of the audition halls. Public environments Opera Hall lobby While entering the lobby, the Opera Hall can be discovered as a cube. The cubes' mineral façade is covered by a thin water movie which gives a calorie-free vibration consequence to the volume. On each side vertical circulation is organized with stairs, bridges and glazed lifts. The spiral type arrangement let pass the spectators close to the shell also as to the opera cube. On height of the opera cube a reception lobby can be found. This area has can be run independently and can be closed for spectators. Independent access can be organized from the lateral edifice. The reception surface area gives a spectacular view to the roof shell and downwards to the audience lobby. Opera Hall
The gilt Opera Hall integrates technical requests and artistic expression within the constraints of the cube book. The spectators detect the opera hall from the two edges or from the side of the balconies. The 2 balconies present a form of lighting lines, all connected to an border column on each side of the stage. The cavalcade functions as lateral lighting and audio source for the stage and auditorium. The shape of the balconies are slightly asymmetric and contrasts the parterre pattern which relatively strict. The balconies provide calorie-free all around the forepart border which form a movement within the opera cube. The spectators tin can take enjoy the possible lighting upshot past entering and leaving the audition hall. Multifunctional Hall The interior of the Multifunctional Hall is a very minimal interior covered in night blue tones. The multiform function has been simplified to multifunction.
The main orientation will be frontal. The spectators discover the audition hall from the stage level. Various configurations of stage and spectator seats are possible to allow all kind of spectacles to take place. Concert Hall lobby The Concert Hall volume is oval. The egg type volume can be seen from the entrance hall past entering the audience entrance hall. The spectator tin experience a promenade all around the audition hall. The infinite is limited by the wooden ceiling of the beat out. The shell is costless continuing and disconnected from the Concert Hall volume such every bit a dome. The costless shape mirror on the outside of the concert hall mirrors the trounce back onto the egg shape. And gives an effect of illusionary space the limits are not clear anymore. Dramatic lighting volition give an expression of animated sky.
On the backside large glazing gives a view to the Lashan river and the south-westward corner of the public park. On top of the Concert Hall volume a reception lobby can exist found like to the Opera anteroom. It tin exist run independently and can be airtight for spectators. Lift access tin be found from the lateral building. The reception surface area gives a spectacular view to the roof shell and downward to the audience lobby. Concert Hall The Concert Hall has the particularity to provide a walkway all around on the edge of the interior from which the side seats can be reached. The spectator can so experiences the audience hall before being seated. The parterre is accessible from the dorsum of the audience hall and fastened to the walkway. All around the stage and on the edge of the parterre different circular shapes are placed. Each of these volumes is corresponding to a group of seats.
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The volumes are treated in woods equal to the floor and the phase. An organ with a minimal blueprint is placed in the axis backside the stage. A chorus can be placed in front of information technology. The walls are treated in a uniform appearance giving a surrounding effect. A metal mesh acts as an acoustically transparent drapery. Behind the curtain acoustic necessary shelves are installed. The lighting of the walls can be inverse in ii main modes: lighting the metallic mesh from the front showing the hall in the shine of the metal mesh or light behind the mesh which makes curtain transparent and let's appear infinite backside and the acoustic shelves. The color of the low-cal tin can be inverse to obtain unlike moods for the hall. The ceiling is contrasting all wooden volumes, nighttime out of convex shapes for acoustic purposes. A major border break in the ceiling volume gives a dramatic effect to the organ at the end of the border.
Projection gallery
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Project location
Address:Jinan, Shandong, China
Location to be used only as a reference. It could bespeak urban center/country just not exact address.
About this part
Cite: "New Opera in Jinan / Paul Andreu Architecte" 03 Feb 2014. ArchDaily. Accessed . <https://www.archdaily.com/472686/new-opera-in-jinan-paul-andreu-architecte> ISSN 0719-8884
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